CREDITS & ACKNOWLEDGMENTS

Thanks to: Marije Stœlwinder, Mélanie Louna, Louve and Teretwen for their drawings. Aline and Sébastien Bordes to be the custodians of the novel.
Mr. Xavier Helary (professor of the Sorbonne) for having given us a lesson during the year of the license in history on Foulque Nerra count of Anjou and who gave birth at; Fulk Arken/Maahar.
Anne Seillant, Romain Roussel, as well as Nathanaël Maillard for the inspiration they brought to me; directly or not. David Joulin for listening to me; at length in the description of my story. My thanks also go to; my family for their encouragement.
Special thanks for the witness protection program provided. by The Simérian Barbarian nicknamed; "The Eraser". Throud Steelhammer "You have just... been erased"

COPYRIGHTS

'The Last Chronicle of Yrneh' is a copyrighted concept; (Novel, site, and derivatives). All the work (novel, paintings, drawings belong) to; Arnaud Roussel based on the following articles:

Art. L. 121-1.: The author enjoys the right to respect for his name, his quality; and his work. This right is attached to his person.
He is perpetual, inalienable and imprescriptible. It is transmissible to cause of death to the heirs of the author. Exercise can be conferred to a third party by virtue of testamentary dispositions.

Art. L. 121-2.: The author alone has the right to disclose his work. Subject to the provisions of Article L. 132-24, it determines the process; of disclosure and sets the conditions thereof. After his death, the right of disclosure of his posthumous works is exercised. their lifetime by the executor(s) designated by the author. In their default, or after their death, and except will contrary to the author, this right is exercised; in the following order: by the descendants, by the spouse against whom there is no past judgment; in force of thing judged of separation from body or which did not contract; a new marriage, by the heirs other than the descendants who collect all or part of the succession and by the universal legatees or donees of the universality; goods to come. This right can be exercised even after the expiry of the exclusive right of exploitation determined. to Article L. 123-1.

Art. L. 121-4.: Notwithstanding the assignment of his right of exploitation, the author, even after the publication of his work, enjoys a right of repentance or withdrawal vis-à-vis the assignee. However, he can only exercise this right responsible for compensating the transferee beforehand for the damage that this repentance or withdrawal may cause him. When, after the exercise of his right of repentance or withdrawal, the author decides to have his work published, he is bound to offer by priority; its exploitation rights to the assignee it had originally chosen and under the conditions originally determined.

Art. L. 122-1.: The right of exploitation belonging to; the author includes the right of representation and the right of reproduction.

Art. L. 122-4.: Any representation or reproduction in whole or in part made without the consent of the author or his successors in title or assigns is unlawful. The same applies to translation, adaptation or transformation, arrangement or reproduction by art or process; whatever.

Art. L. 123-1.: The author enjoys, throughout his life, the exclusive right to exploit his work in any form whatsoever and to derive a pecuniary profit from it. For the author, this right persists for the benefit of his successors in title during the current calendar year and the seventy years that follow.

All names and locations are registered and copyrighted