Genesis of Novel
Prologue
Format

Team
Interviews
Greetings

Geography
Languages
Heraldique & Traditions

Races
Characters
Genealogy
Artefacts

Draws
Fan-Art
Videos
Musics

Quizz
Golden Book
Forum
E-commerce
Contacts

CREDIT

TEXTS AND CORRECTIONS

Arnaud

DESIGN

Arnaud, Marije

FORUM PHP

Arnaud

TESTS AND CRITICAL

Gaël, Aline, Nathanael

READING AND CORRECTION OF THE NOVEL

Solange, Sylvain, Sara, Angélique, Xavier, Mélanie

THANKS

Thank you in Marije Stoelwinder for its collaboration with me, Thank you in Solange alias Lyra for his beautiful drawings.

My thanks go to my family for her encouragements

For the inspiration: Anne Seillant, Romain my brother, Nathanaël, Mr Xavier Helary (professor of the Sorbonne)

Thank you in Aline president for the fan club “I coils Throud”, in David alias Djoolz as a first spectator of the book.

Thanks special for the programme of protection of the witnesses ensured by the Barbarian Throud Steelhammer called “the Eraser”.

COPYRIGHTS

YRNEH: “The last Chronicle of Yrneh” is a concept deposited (Roman, site, and other uses). The whole of written work belongs to Arnaud Roussel, the drawings, paintings and other drafts are those of Marije Stoelwinder and this according to the following articles:

Art L. 121-2. The author has only the right to reveal his work. Subject to the provisions of the article L. 132-24, it determines the process of disclosure and fixes the conditions of this one. After its death, the right of disclosure of its posthumous works is exerted their life lasting by the executors designated by the author. With their defect, or after their death, and except contrary will of the author, this right is exerted in the following order: by the descendants, by the spouse against whom does not exist a judgement passed in force of judged thing of judicial separation or which did not contract a new marriage, by the heirs other than the descendants which collect whole or part of the succession and by the sole legatees or donees of the universality of the goods to come. This right can be exerted even after the expiry of the exclusive right of exploitation determined to the article L. 123-1.

Art L. 121-3. In the event of notorious abuse in the use or the disuse of the right of disclosure on behalf of the representatives of the author deceased aimed to the article L. 121-2, the Court of Bankruptcy can order any suitable measurement. It is the same if there is conflict between the aforementioned representatives, if there is not having known right or in the event of vacancy or of déshérence. The court can be seized in particular by the minister in charge of the culture.

Art L. 121-4. Notwithstanding the transfer of his right of exploitation, the author, even subsequently to the publication of his work, enjoys a right of repentance or withdrawal with respect to the assignee. He can however exert this right only to responsibility of compensate beforehand the assignee for the damage that this repentance or this withdrawal can cause him. When, subsequently to the exercise of his right of repentance or withdrawal, the author decides to make publish his work, it is held to offer by priority its rights of exploitation to the assignee whom it had originally chosen and in the originally given conditions.

Art L. 122-1. The right of exploitation belonging to the author includes/understands the right of representation and the reproduction right.

Art L. 122-3. The reproduction consists in the material fixing of work by all proceeded which make it possible to communicate it to the public in an indirect way. It can be carried out in particular by printing works, drawing, engraving, photography, moulding and very proceeded of the graphic arts and plastic, mechanical, cinematographic or magnetic recording. For works of architecture, the reproduction also consists in the repeated implementation of a plan or a standard project.

Art L. 122-4. Any representation or reproduction integral or partial made without the assent of the author or his having right or having cause is illicit. It is the same for the translation, the adaptation or the transformation, arrangement or the reproduction by an art or an unspecified process.

Art L. 123-1. The author enjoys, his life during, of the exclusive right to exploit his work in some form that it is and to benefit pecuniary from it. With the death of the author, this right persists for the benefit of its having right during the calendar year in progress and the seventy years which follow.